| There are about
7.000 well preserved nuraghi: this number must have been much greater,
considering the continuous invasions through Sardinia through the centuries.
The name Nuraghi derives from "nurra" which suggests both the meaning of
mound and cavity. Nuraghi are built by laying big stones of similar size on
top of each other leaving a cavity in the middle which is then covered by a
stone domed roof.
Usually Nuraghi are located in a panoramic position. There
are no foundation to this building, and they have been standing for
centuries only because of the of the weight of stones. Some Nuraghi
are more than 20 metres in height. Today, there are more than 8,000 Nuraghi
in Sardinia, though it has been estimated that once the number was more than
30,000. The nuraghi are concentrated most in the north-west and
south-central parts of the island.

Su Nurraxi. Inside the
central tower. The man here is 1.80 m. |
Another kind of Nuraghe has a corridor or a system of
corridors. Some authors are reluctant to place these in the same category as
tholos Nuraghe, as there are too many relevant differences, and prefer
talking about "Nuragic village".
Nuraghes appeared on the island in an undetermined epoch
(not earlier than 6th millenium BC). Some elements have been dated 3500 BC,
but it is supposed that most of them were built from the middle of the
Bronze Age (18th-15th centuries BC) to the Late Bronze Age, though many were
in continuous use until Rome entered Sardinia (2nd century BC).
The uncertain date of the Nuraghes is a constant feature
of Sardinian chronologies. Even though, according to Massimo Pallottino, a
scholar of Sardinian prehistory and Etruscologist, the Nuragic
civilization produced the most advanced and monumental architecture of the
period in the western Mediterranean, including the region of Magna Graecia,
of the existing 8000 only a few have as yet been scientifically excavated.
Interest in Sardinian archaeology has been minimal, except for the black
market trade in bronze statues.
The use or meaning of the nuraghe has not been clearly
identified: whether a religious temple, or a dwelling, a military
stronghold, the house of the chief of the village, the place for the meeting
of the wise men or the governors. It could have been as well a combination
of all or some of these items. Some of the nuraghi are, however, in
strategic locations from which important passages could be easily
controlled.
Undoubtedly nuraghes had a meaningful symbolic content, at
least recalling wealth or power, or maybe the establishment of a village
(eventually in the dignity of a State-village). Recent theories are oriented
to consider that Sardinian villages might have been federated (very likely
they were self-governed) and that the building of these monuments could
depend on a prior planned distribution of the territory. Nuragic dwellers
had developed particular skills in metallurgy, trading for bronze in many
areas of the Mediterranean and being consequently a well known people.
Some famous Nuraghi:
The most important complex is the Nuraghe in Barumini,
centered around a three-story tower built around 1500s BC. This site was
recently made a UNESCO World Heritage Site. At this site Dr. Giovanni Lilliu
discovered a fortified village that in times had been covered by ground and
had became a hill. Other nuraghes are in Serra Orrios,
Alghero, Torralba, Macomer, Abbasanta, Orroli, Villanovaforru, Sarroch,
Olbia.
"Nuragici people" had developed arts, mainly in the form
of little statues in bronze called "bronzetto", typically representing the
chief of the village ("Sardus pater") or hunting or fighting men, animals,
more rarely women.
Other monuments of the Nuragicis' are the so-called
"Giants tombs", megaron temples, sacred dwellings, "sacred wells",
sanctuaries, enclosures.
Nuragic art includes stone carvings or statues
representing female divinities (Thanit, main religious entity, is a
goddess); these works however have often been considered as partly a fruct
of relationships with Phoenicians.
It has been recalled that round buildings, or circular
plan buildings, are typical of nomad peoples, and indeed ancient Sardinians
should effectively have been used to constantly move within their territory
for better places or to avoid invasions or outside for new markets for their
bronze.
The Nuraghe is today the symbol of Sardinia and of its
unique ethnicity. |